Gallery
Neuroplastic
Credit for all exhibition photographs: David Bailie
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Self-evident I, acrylic on wood panel, 8 in. X 8 in., 2018
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Self-evident II, acrylic on wood panel, 2 ft. X 2 ft., 2018
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Self-evident III: Trauma Core, acrylic on wood panel, 3 ft. X 3 ft., 2021
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Fire and Brimstone, acrylic and book board on wood panel, 6 in. X 6 in., 2019
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Fire and Brimstone (detail)
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Ketamine: Transcendental Kaleidoscape, graphite on paper, 8 in. X 8 in., 2021
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Impossible Object I, acrylic on wood panel, 10 in. X 10 in., 2020
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Impossible Object II, acrylic on wood panel, 18 in. X 18 in., 2022
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Impossible Object II (detail)
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Serotonin, graphite on paper, 8.5 in. X 11 in., 2021
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Ketamine I, graphite on paper, 18 in. X 18 in., 2021
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Ketamine III, digital collage of folded ink drawings; printed on aluminum; 1 ft. X 1 ft., 2019
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Ketamine III (detail)
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Ketamine V, graphite on dot paper; printed on aluminum, 9 in. X 12 in., 2019
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Ketamine VII: Into the Tesseract, graphite on dot paper; printed on aluminum, 9 in. X 12 in., 2020
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Ketamine III, V, and VII (detail)
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Ketamine VIII, graphite on paper, 7 in. X 7 in., 2020
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Ketamine IX, graphite on paper, 8.5 in. X 11 in., 2020
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Ketamine X, acrylic on wood panel, 2 ft. X 2 ft., 2020
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Ketamine XIII: Neurotransmission, colored pencil on paper, 13 in. X 13 in, 2021
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Ketagon VI, acrylic on wood panel, 10 in. X 10 in., 2020
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Ketagon VI (detail)
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Ketagon VII: Life, Trauma, & Faith, acrylic on wood panel, 18 in. X 18 in., 2022
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Ketagon VII (detail)
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Ketamine XIV: Dissociative Peak, colored pencil on paper, 4 in. X 4.25 in., 2020
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Ketagon I, colored pencil on paper, 8 in. X 8 in., 2020
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Ketagon II, colored pencil on paper, 8 in. X 8 in., 2021
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Ketagon III, colored pencil on paper, 8 in. X 8 in., 2021
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Ketagon IV, colored pencil on paper, 8 in. X 8 in., 2021
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Ketagon V, colored pencil on paper, 8 in. X 8 in., 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 1), 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 2), 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 3), 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 4), 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 5), 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 6), 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 7), 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 8), 2021
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"Neuroplastic", projected Pixaloop and Crystaliq animation (video still 9), 2021
Square Not Square
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Square Not Square I, acrylic on paper, 1 ft. X 1 ft., 2018
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Square Not Square II (2D), acrylic and suminagashi on paper, 8 in. X 8 in., 2018
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Square Not Square II (3D), acrylic and suminagashi on book board substrate, approx. 6.5 in. X 6.5 in., 2018
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Square Not Square III (2D), acrylic and suminagashi on paper, 9 5/8 in. X 9 5/8 in., 2018
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Square Not Square III (3D), acrylic and book board on wood panel, 6 in. X 6 in., 2018
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Square Not Square III (3D, details), acrylic and book board on wood panel, 6 in. X 6 in., 2018
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Square Not Square IV, acrylic and colored pencil on paper, 8 in. X 8 in., 2018
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Square Not Square V, acrylic and suminagashi on paper, 9 5/8 in. X 9 5/8 in., 2018
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Square Not Square VI, acrylic on paper, 8 in. X 8 in., 2018
The Allegory of Good and Bad Government
Digital painting and mixed media; printed on aluminum
11 in. X 12 3/4 in. (individual small pieces)
40 in. X 46 in. (individual large pieces)
2017
Credit for all exhibition photographs: David Bailie
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The Rosettes of Wisdom and Pride
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The Rosettes of Magnanimity and Vanity
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The Rosettes of Temperance and Division
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The Rosettes of Justice and Fury
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The Rosettes of Peace and War
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The Rosettes of Fortitude and Cruelty
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The Rosettes of Hope and Avarice
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The Rosettes of Faith and Deceit
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The Rosettes of Charity and Fraud
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U.S. Representative Beto O'Rourke with "The Rosette of Hope"
Fachwerk
Acrylic on book board substrate
30 in. X 30 in. X 32 in.
2017
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(angle 1)
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(angle 2)
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(angle 3)
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(angle 4)
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(angle 5)
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(detail)
Electro-Pop Lady Grids
Collaged gel transfers of photocopied ink drawings and acrylic on book board substrate
Approx. 7 in. X 7.5 in. (each)
2016
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Electro-Pop Lady Grid I
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Electro-Pop Lady Grid I (detail 1)
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Electro-Pop Lady Grid I (detail 2)
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Electro-Pop Lady Grid I (detail 3)
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Electro-Pop Lady Grids I & II
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Electro-Pop Lady Grid II (detail 3)
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Electro-Pop Lady Grid II
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Electro-Pop Lady Grid II (detail 1)
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Electro-Pop Lady Grid II (detail 2)
The Circuit Topology Series
Credit for all exhibition photographs: David Bailie
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Attractor II, collaged gel transfer, acrylic, and Dura-Lar film, 1 ft. X 1 ft., 2016
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Exotic Bird II, collaged gel transfer, acrylic, and Dura-Lar film, 1 ft. X 1 ft., 2016
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Tri-Circuit II, collaged gel transfer, acrylic, and Dura-Lar film, 1 ft. X 1 ft., 2016
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In Planar Camo II, collaged gel transfer, acrylic, and Dura-Lar film, 1 ft. X 1 ft., 2016
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Glitch Inversion: Flipping the Script, photocopied collage of acetone transfer and India ink drawing; printed on aluminum, 20 in. X 32 in., 2016
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Electro-Pop Lady Grids (Compositions), collaged photocopies of gel transfers and acrylic, approx. 7 in. X 7.5 in. (each), 2016
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Mountain Frequencies, collaged photocopies of folded India ink drawings; printed on aluminum, 34 in. X 40 in., 2015 (Photo credit: David Bailie)
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Circuit Topology II, acrylic on paper, 15 in. X 22 in., 2015
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Organic Circuit Triptych, colored pencil on grid paper; developed into cyanotype, 8 in. X 21 in., 2015
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My Snake Is Your Ladder, India ink on paper, 15 in. X 22 in., 2014
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Circuit Topology I, India ink on paper, 15 in. X 22 in., 2014
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Tri-Circuit I, India ink drawing on grid paper; developed into cyanotype, 6 in. X 7.5 in., 2015
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Attractor I, India ink drawing on grid paper; developed into cyanotype, 6 in. X 7.5 in., 2015
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Exotic Bird I, India ink drawing on grid paper; developed into cyanotype, 6 in. X 7.5 in., 2015
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In Planar Camo I, India ink drawing on grid paper; developed into cyanotype, 6 in. X 7.5 in., 2015
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Topolograph
Acetone transfer and graphite on paper
21 in. X 64 in.
2017
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(detail 1)
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(detail 2)
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(detail 3)
Cyanotypes
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Like Bismuth, India ink drawing on grid paper; developed into cyanotype, 5 in. X 5 in., 2015
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Mountain Frequency I, collaged photocopies of folded India ink drawings; developed into cyanotype, 11 in. X 18 in., 2015
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Reflected Landscape, photocopied India ink drawing; developed into cyanotype, 10 in. X 22 in., 2015
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Mountain Frequency II, collaged photocopies of folded India ink drawings; developed into cyanotype, 11 in. X 22 in., 2015
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Cascade, photocopied India ink drawing and acrylic; developed into cyanotype, 10 in. X 17.5 in., 2015
Cyberspaces
Acrylic, resin, quartz powder, and Masonite on wood panels
1 ft. X 1 ft. (each)
2014
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Cyberspace I
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Cyberspace II
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Cyberspace III
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Cyberspace IV
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Cyberspaces
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Cyberspace III (detail)
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Cyberspaces (detail)
Postmodern Tectonics
Acrylic on carved wood panels
5.5 ft. X 5.5 ft.
2013
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Postmodern Tectonics
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Postmodern Tectonics (detail 1)
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Postmodern Tectonics (detail 2)
The Harpstrings Diptych
Graphite drawing, collage, and digital filter
11 in. X 17 in. (each)
2013
Postmodern Landscapes
Acrylic and resin on carved wood panels
1 ft. X 1 ft. (each)
2013
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Postmodern Landscapes
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Postmodern Landscapes (detail 1)
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Postmodern Landscapes (detail 2)
The Handkerchief Series
Photocopied collage of folded grid paper and transparency film; printed on aluminum
1 ft. X 1 ft. (each)
2012
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Handkerchief I
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Handkerchief II
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Handkerchief III
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Handkerchief IV
The Tabula Rasa Series
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Indifferent Graces, acrylic and resin on carved wood panel, 2.5 ft. X 2.5 ft., 2012
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Sanctuary, acrylic and resin on wood panel, 3 ft. X 3 ft., 2011
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Tabula Rasa I, acrylic and resin on wood panel, 1 ft. X 1 ft., 2011
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Tabula Rasa IV, acrylic and resin on wood panel, 1 ft. X 1 ft., 2011
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Tabula Rasa II, acrylic and resin on wood panel, 1 ft. X 1 ft., 2011
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Tabula Rasa III, acrylic and resin on wood panel, 1 ft. X 1 ft., 2011
Time and Geometry
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The Living Painting, acrylic, gel medium, and Irish grass on wood panel, 2.5 ft. X 2.5 ft., 2011
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Perceptual Lapse, graphite on paper, 6 in. X 4.5 ft., 2011
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(In)Decision Within the Perimeters of Order and Chaos, performance (video stills), 2011
Intaglio Triptychs
Intaglio (copper etching prints)
8 in. X 11 in. (each)
2012
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Fibonacci Gesture I
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Fibonacci Gesture II
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Fibonacci Gesture III
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Fibonacci Gestures
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Sanctuary I
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Sanctuary II
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Sanctuary III
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Sanctuary Triptych
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Inner Magma I
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Inner Magma II
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Inner Magma III
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Triptych of Inner Magma
Self Portraits
Graphite on paper
8.5 in. X 11 in. (each)
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Cyborg, 2014
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My Misgivings, 2014
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Pele, 2014
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Black Dog, 2011
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A Woman Must Have Everything, 2011
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The Russian, 2011
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© 2017 ZOE SHULMAN ALL RIGHTS RESERVED.